From an Academic Perspective

Our academic approach focuses on decolonizing narratives by providing a platform for discussions centered on research and the history of art. We will highlight the roles of native artists and academics during the colonization period and examine our responsibilities in the 21st century to create narratives that acknowledge our histories. This includes an archaeological perspective that can foster connections between art schools, museums, and universities in Southern Africa and the Americas, emphasizing shared challenges, achievements, and the richness of BIPOC arts communities.

From the Perspective of Arts and Cultural Organizations

We seek to influence new collaborations between arts organizations and artists from Southern Africa and the Americas. By sharing best practices, we aim to promote and preserve the identities of BIPOC artists across both continents while opening up new opportunities for market engagement and global impact

From an Economic Perspective

By bringing together festival directors, museum curators, agents, and government representatives, we will create opportunities for dialogue among those responsible for grants, immigration, programming, and creativity. This collaboration will facilitate discussions about funding, mobility, and innovative ways to generate revenue, ultimately contributing to a positive economic impact for BIPOC artists and presenters